Joe Taylor is a British animator and illustrator based in Berlin.
His visual world is surreal, funny and sometimes disturbing. Originally a graphic designer, Joe spent the last 6 years building a full time illustration and animation practice. He has worked with clients including Apple, Netflix, TED, Berliner Zeitung, google and FXX.
Recently he has been enjoying working on music , gifs, logos, and visual identities as well as drawing just for fun.
Gaia Alari is an Italian visual artist and animator ranked #5 worldwide in illustration/animation by the Art Directors Club. Trading medicine for art, she’s become a master of hand-drawn, frame-by-frame animation, working as a one-woman creative force.
Her client list reads like a music industry who’s who: Warner, Atlantic Records, Sub Pop, and Sacred Bones. She animated the UKMVA award-winning Coldplay video and created campaigns for Beats by Dre. Most recently, she collaborated with Universal Music Group, Lenovo, and Intel on Alessia Cara’s “Love and Hyperbole” album.
From gallery exhibitions across Europe to music videos screened at film festivals worldwide, Alari transforms traditional animation into contemporary art that moves to its own rhythm.
Dasha Vyatkina is an artist and animation director from Omsk, Siberia. Originally trained in knitwear design, she began her creative career in the film industry as an assistant costume designer before shifting her focus to animation. A graduate of the renowned School-Studio SHAR and the Tseh of Animation program, she works as an independent director, art designer, animator, and teacher of animation for children. Her work blends visual storytelling with a strong artistic sensibility rooted in both textile and cinematic traditions.
Daniel Zvereff, based in Brooklyn, NY, is an animation director interested in exploring the human experience, quantum physics, and the lasting impact of intergenerational displacement.
Chiung Xiaoqiong Zhang is a New York-based visual artist who works in animation, motion graphics, and illustration.
Chiung loves finding and including humorous scenes from daily life in her artwork. By combining vibrant colors with loose shapes, she creates cute, sweet, and silly characters and inserts them into funny and awkward situations.
Alex Cline is an LA artist working in the animation industry. His professional resume includes Apple TV, Cartoon Network, Disney TV, Warner Bros, and Netflix, most notably for BoJack Horseman and Regular Show. He grew up in the burbs of Nashville and is still trying for an accent.
Nina-Lou Giachetti is a Paris-based French designer and animator whose work ranges from short animated films to title sequences and music videos. She divides her time between the development of various long-term projects and a personal graphic practice. Her approach is based on creating bridges between digital and analog elements, as well as finding poetry in every piece she makes.
Benjamin Geffroy is a French video artist and illustrator. After studying contemporary art at the Beaux-Arts Paris-Cergy, he graduated from Gobelins in Motion design in 2015.
Since then, he has been making comics, music videos and animated shorts with a poetic narrative approach. He likes to work with a dynamic approach to movement and form, and to play with the body’s density, volume and anatomy.
Thomas Vanz is a French director known for blending science and art through cosmic storytelling. Using practical effects like inks, pigments, and chemical reactions, he creates stunning visual narratives exploring phenomena such as supernovas and black holes. In addition to his films Novae and Intra, he has directed music videos for artists like Darius(Bright Side) and Ólafur Arnalds (Woven Song). His immersive installation Verse was commissioned by Atelier des Lumières in Paris, and he has since created large-scale video experiences for luxury brands such as Dior, Bowmore, DS4, Sulwhasoo, and Garnier.
Martha Colburn is an American multimedia artist known for her vibrant, politically charged animations that blend stop-motion, collage, and paint-on-glass techniques. She began experimenting with Super 8 film in the 1990s, developing a distinctive DIY aesthetic that fuses punk energy with historical and cultural critique. Her work often addresses themes such as war, addiction, and American mythology through surreal, densely layered visuals. Colburn’s films have been featured at major venues including the Venice Biennale, Cannes Film Festival, and MoMA.
